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"Nothing is more addicting than The Girl on the Train."— Vanity Fair
"The Girl on the Train has an extraordinary time with dishonest depiction than any chiller since Gone Girl. . . . [It] is liable to draw a far reaching, shocked readership."— The New York Times
"Like its train, the story affects through the stagnation of these lives in country London and the peruser truly need to turn pages."— The Boston Globe
"Gone Girl fans will gobble up this mental thriller."— People
A presentation mental thriller that will dependably hint at change the way you look at other people's lives.
Rachel takes the same traveler set up every morning. Reliably she rattles down the track, flashes past a stretch of at home rustic homes, and stops at the sign that allows her to consistently watch the same couple having breakfast on their deck. She's even started to feel like she knows them. "Jess and Jason," she calls them. Their life—as she sees it—is incredible. Much the same as the life she starting late lost.
Furthermore, a while later she sees something dazzling. It's one minute until the train continues ahead, yet it's adequate. In no time everything's changed. Not ready to quiet about it, Rachel offers what she knows not police, and ends up being indivisibly bound in what happens next, and furthermore in the lives of everyone included. Has she fulfilled more harm than extraordinary?
Earnestly discernable, The Girl on the Train is an authentically immersive, Hitchcockian thriller and a charging presentation.
"The Girl on the Train has an incredible time with inconsistent depiction than any chiller since Gone Girl. . . . The Girl on the Train is committed to draw an extensive, paralyzed readership also. . . . The Girl on the Train is overflowing with betraying, none of it strict."— Janet Maslin, The New York Times
"The Girl on the Train marries film noir with novelistic shrewd. . . hold tight. You'll be flabbergasted by what hatreds sneak around the bend."— USA Today
"Like its train, the story affects through the stagnation of these lives in rustic London and the peruser can't avoid the chance to turn pages. . . . The welcome echoes of Rear Window all through the story and its propulsive record make The Girl on the Train a holding read."— The Boston Globe
"[The Girl on the Train] pulls off a thriller's hardest trap: carefully gathering all that we think we know, until it reveals the one thing we didn't see propelling."— Entertainment Weekly
"Gone Girl fans will gobble up this mental thriller. . . . Hawkins' presentation closes with a curve that no one—specifically
